My work explores the boundaries within clay through experimental processes. I start with the industrial method of plaster moulds and slip-casting; however, I don't always use these in traditional ways. With my current project Lines, I use metal as an aesthetic reference and material contrast. An additive method is used to create pieces with minimal amounts of clay. This body of work became an engaging display of how clay moves in the kiln. The suggestions of vessels start out as straight cages of wet clay and through the power of the kilns heat and the pyroplasticity of the clay, they move like fabric to evolve into a wire-like sculpture that still holds the materiality of porcelain. Due to this process, the final form of each piece stems from minute details in the making, but mostly depends on chance.
Lauren Nauman graduated from the Royal College of Art with a Masters in Ceramics & Glass in 2016. During this time she was selected for the RJ Washington Bursary and Woo Scholarship. She also designed tableware for the Tate Modern’s new building, Switch House.
After graduation, she participated in multiple shows during London Design Festival 2016, exhibited at COLLECT 2017 with Flow Gallery and at Ceramic Art London 2017 where she was awarded the Newcomer Award.
Prior to this, she completed a BA in Art Education at Emmanuel College in Boston, MA, USA, and developed a practice which involved exhibiting her work and undertaking a residency at Guldagergaard, the International Ceramic Research Centre.
Nauman has since exhibited at NCECA in America and One Year On at New Designers and Young Masters Art Prize Exhibition in London. She will show at Decorex International with Future Heritage and the Crafts Council's A Future Made: The Miami Edit, Miami, USA in the coming months.
2014-16 M.A. Ceramics and Glass, Royal College of Art London, UK
2008-12 B.A. Studio Art and Art Education, Emmanuel College, Boston, MA, USA
The Glorious Object, Curated by Rodger Stevens, Patrick Parrish Gallery, NY, NY, USA
British Craft: The Miami Edit 2017, with the Crafts Council and The New Craftsmen, FORM Miami, Miami Beach, FL, USA
Making It Now, Ruthin Craft Centre, Gallery 3, Denbighshire, Wales, UK
Young Masters, Royal Opera Arcade Gallery, London, UK
Future Heritage, Decorex International, Syon Park, London, UK
Young Masters Art Prize Shortlist Exhibition 2017, Gallery 8, Duke Street, London, UK
One Year On, New Designers, Business Design Centre, London, UK
Rising Stars, New Ashgate Gallery, Farnham, Surrey, UK
Potters Council Juried Show at NCECA, Portland, Oregon, USA
Ceramic Art London, Central Saint Martins, London, UK
Collect with Flow Gallery, Saatchi Gallery, London, UK
Showcase at Flow Gallery, Needham Road, London, UK
Talent! 2016, Craft Central, London, UK
White Canvas, Mint, London, UK
Transform Effect, Korea Craft & Design Foundation Insa-dong, Seoul, South Korea
Sculpture at Doddington Hall, Doddington, Lincoln, Lincolnshire, UK
Show16 Royal College of Art, London, UK
In Context, Preston Fitzgerald’s, 7 Wetherby Gardens , London, UK
The Emerging and the Established Christie's South Kensington, London, UK
2017 Highly Commended, Young Masters Maylis Grand Ceramics Prize
John Lewis LOVES, New Designers
Tate Modern’s Switch House, finalist in tableware competition
2015 Woo Scholarship, RCA Ceramics & Glass
Doddington Hall, Ceramic collection, Acquired 2016, Doddington, Lincolnshire, UK
Korea Ceramic Design Association, Acquired 2016, Seoul, South Korea
2017 Collective Matter, Sugarhouse Studios, London, UK
2014 Project Network, Guldagergaard, Denmark